Chapter 1 of 7
The Whole Enigma
Step into the most analysed painting in the Western world. Madrid, sixteen fifty-six. Diego Velázquez — court painter to King Philip the Fourth, the most powerful artist in Spain — does something audacious.
He paints not a royal portrait, but the room around one. For thirty years he had worked these palace halls; here, at the height of his powers, he paints himself, painting. So — who is he looking at?